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        <title>reviews:cyclonefireball</title>
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        <description>And the conversations developed in the void, as if the sentences meant nothing, were intended to mean nothing in any case. 

And the way it was told, it was like writing a screenplay. Filling in the gaps. Reading the screenplay, becoming the voices, interrupting and dissecting other voices to move it all on. A chain.</description>
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        <title>reviews:itmustbeconsumed</title>
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        <description>A trick, this is how it started. Can we get a camera in on this? Three people in the room, two together on a double seat, one in an armchair facing the other two. The middle figure, a man in a suit, blue shirt, no tie, asks the figures on either side to present to the other an image, a word. It would seem like a free choice. Each asked to look to a space just beyond the other, but close. Each to send something across, to imagine a screen in their mind. That screen gets bigger and brighter, it fo…</description>
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        <description>“The collaboration between a director and his scriptwriter can take a wide variety of forms. One might almost say that there are as many different methods of work as there are films. Yet the one that seems most frequent in the traditional commercial cinema involves a more or less radical separation of scenario and image, story and style, in short,</description>
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        <description>NOTHINGBold Text</description>
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        <description>Is it how you thought it would be?

I think, it took me longer to sort of... a chattering mind... but in the last, I felt a kind of distance, it was weird, I felt as if my body was getting really small. 

This often happens in the first session, the mind is often very interested in what's going on. It's listening and it's monitoring, and it's thinking 'Am I being hypnotised? Is this working?' But I think you'll find next week, when you come here again, you will know what to expect, and to be abl…</description>
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