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start [2010/09/04 11:10]
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start [2013/12/09 12:44] (current)
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-{{http://​www.abyme.org.uk/​ma/​studionotes/​january/​slide11.011.jpg?​400}} 
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-**THE PROLOGUE** 
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-Teeth slightly apart. 
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-//Yes.// 
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-Can you hear me? 
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-//Yes.// 
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-And now, you are here again. ​ 
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-And here, over again, now, through teeth slightly apart, a voice speaks. 
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-It talks about the trance state brought into sensing experience, proposing hypnotic induction through movement and affect, and the nonconscious as physical object, positive, not hidden. Hallucination occupies a productive site, where the disorient becomes a way to move forward. Here, entropy and the paranoic visage are distortions of already ambiguous stimulus. Events, moving fast, are generated first through focused attention, then, abstraction. ​ 
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-The voice speaks through funnels, it lacks mediation, forming a link in a chain, interrupting and being interrupted. It comes less from the subject-epicentre,​ and more as part of a machine, expanded by the non-body. The voice then in all complex forms behaves as a seismograph. It registers a disruption in the landscape, clocks the constant quakes. 
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-The voice is scripted, although in the same moment, lacks an author. It creates and is created by a bastard screenplay. It is energised by the potency of uncertain, fragile, relationships between the materials it describes and tunnels through. Each material - object - like a player in a complex game, moves across a grid in an attempt to resolve itself. 
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-Then, what is this voice? The work? Not content to be housed, it fractures into a series of Russian dolls, that fit again inside one another, a body of interlinked bearers of information. Inside each doll is the act of obliteration,​ the blind spot. 
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-And in the voice'​s desire to annex one space into another, comes a discovery that space is immanent, and suddenly, access turns back in on itself. 
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-And now you are here. Again. Begin. 
  
 
⁂‚